adriaen van ostade

Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards


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adriaen van ostade Village Musicians oil


Village Musicians
Painting ID::  41037
Village Musicians
mk159 1645 Oil on panel 39x30.5cm
mk159 1645 Oil_on_panel 39x30.5cm
   
   
     

adriaen van ostade Peasants in a Tavern oil


Peasants in a Tavern
Painting ID::  60004
Peasants in a Tavern
"Peasants in a Tavern" (c. 1635), at the Alte Pinakothek, Munich
   
   
     

adriaen van ostade Cutting the Feather oil


Cutting the Feather
Painting ID::  60005
Cutting the Feather
"Cutting the Feather" c. 1660, at the Museum of Fine Arts, Budapest
   
   
     

adriaen van ostade The painter in his workshop oil


The painter in his workshop
Painting ID::  60006
The painter in his workshop
The painter in his workshop (selfportrait) (1663), at the Sempergalerie, Dresden
   
   
     

adriaen van ostade Resting Travelers oil


Resting Travelers
Painting ID::  60007
Resting Travelers
"Resting Travelers" (1671), at the Rijksmuseum, Amsterdam
"Resting_Travelers"_(1671),_at_the_Rijksmuseum,_Amsterdam
   
   
     

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     adriaen van ostade
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards

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